Amand-Durand (after Rembrandt) La Femme Devant Le Poele Etching
OriGreat image conceived by Rembrandt and etched by Armand Durand and pulled from the copper plate in late 19th century impression on arches laid paper with margins. Etched work measures approximately 7.25" by 9". This is in mint condition.
Rembrandt created his etchings in the 1600's, but by the 1800's the plates for the etchings were worn and in poor condition. Armand Durand, a well respected engraver, dedicated the major part of his life re-creating Rembrandt's 347 etchings in exacting detail. Armand-Durand used as his guide, not the worn and flat plates, but the first and second state etchings of the master's original works. Durand's original etchings were so well respected they were purchased by major collectors throughout Europe, and as well as the Louvre Museum in Paris and the French Biblioteque Nationale.
Rembrandt Harmenszoon van Rijn (15 July 1606 – 4 October 1669) was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art history and the most important in Dutch history. His contributions to art came in a period that historians call the Dutch Golden Age.
Having achieved youthful success as a portrait painter, his later years were marked by personal tragedy and financial hardships. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, and for twenty years he taught many important Dutch painters. Rembrandt's greatest creative triumphs are exemplified especially in his portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible. His self-portraits form a unique and intimate biography, in which the artist surveyed himself without vanity and with the utmost sincerity.
In his paintings and prints he exhibited knowledge of classical iconography, which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of Amsterdam's Jewish population.Because of his empathy for the human condition, he has been called "one of the great prophets of civilization."