Contemporary Still Life of a Eastern Shore Maryland or Delaware Crab painted on Canvas. Accompanied by a New Driftwood Style Frame. The Eastern Shore of Maryland, Delaware  More »

Contemporary Still Life of a Eastern Shore Maryland or Delaware Crab painted on Canvas. Accompanied by a New Driftwood Style Frame. The Eastern Shore of Maryland, Delaware and Virginia are well known for crabs. They are a picking and eating frenzy. Great colors and would look great in a kitchen, club room, etc. The Canvas measures 24" X 20" and the frame measures 30 1/2" X 26 3/4". Would also look great in a Seafood Restaurant or Carryout.   « Less

"THE SANCTUARY" Originally painted by Sir Edward Henry Landseer (1802-1873). This is a engraving done by J. W. WATTS OF THE ORIGINAL PAINTING DONE BE THE PREVIOUS  More »

"THE SANCTUARY" Originally painted by Sir Edward Henry Landseer (1802-1873). This is a engraving done by J. W. WATTS OF THE ORIGINAL PAINTING DONE BE THE PREVIOUS MENTIONED ARTIST. James W. H. WATTS was a engraver from Medford, Mass. This is a wonderful scene of a Moose in water with a flock of geese with a beautiful sunset and mountains in the background. I can just imagine how breathtaking the original painting by Landseer was. He was a extremely great and Very Well Listed artist in the early 1800's. The dimension of this engraving is 28" X 13 1/4". The overall dimension including the matting and frame is 35" X 20 1/2"   « Less

Early 19th Century Belgium Oil on Canvas "Mother Sheep and Lambs" by Eugene Verboeckhoven (1798-1881). Bares Signature. Name Printed on Original Liner Dimensions: 20" h  More »

Early 19th Century Belgium Oil on Canvas "Mother Sheep and Lambs" by Eugene Verboeckhoven (1798-1881). Bares Signature. Name Printed on Original Liner Dimensions: 20" h x 30" w   « Less

20th Century Oil on Canvas Primitive English Rider Framed in a Gold Leaf Frame

20th Century Oil on Canvas Primitive English Rider Framed in a Gold Leaf Frame   « Less

20th Century Oil on Canvas Primitive English Jockey on Throughbread Race Horse Framed in a Gold Leaf Frame

20th Century Oil on Canvas Primitive English Jockey on Throughbread Race Horse Framed in a Gold Leaf Frame   « Less

Late 19th Century Framed Oil on Canvas "Cows in a Pasture" by Ludwig Kabell (Danish, 1853-1902), signed L. Kabell lower right - Sight 49" h x 33.5" w -  More »

Late 19th Century Framed Oil on Canvas "Cows in a Pasture" by Ludwig Kabell (Danish, 1853-1902), signed L. Kabell lower right - Sight 49" h x 33.5" w - Overall 59" h x 43" w   « Less

19th Century French Framed oil on board "Landscape with Grazing Cows", signed lower left (M_I_t) 7" h x 9.5" w / Overall 13" h x 15.5" w

19th Century French Framed oil on board "Landscape with Grazing Cows", signed lower left (M_I_t) 7" h x 9.5" w / Overall 13" h x 15.5" w   « Less

Framed oil on canvas "The Hunting Party" Contemporary, signed R. Wilson lower right 23.5" h x 35" w / Overall 32" h x 45" w

Framed oil on canvas "The Hunting Party" Contemporary, signed R. Wilson lower right 23.5" h x 35" w / Overall 32" h x 45" w   « Less

Alexander Wilson (Scottish/American, 1766-1813), Plate 71, from his "American Ornithology", published by Bradford & Innskeep, Philadelphia. 1808-1814. 1st  More »

Alexander Wilson (Scottish/American, 1766-1813), Plate 71, from his "American Ornithology", published by Bradford & Innskeep, Philadelphia. 1808-1814. 1st edition. Engraved by Alexander Lawson. This hand colored, engraving depicts six species: gadwal duck, eider duck, female eider, smew, ruddy duck, and female ruddy. Plate size: 10.25" x 13.25". Condition: some light foxing. Alexander Wilson, a Scottish emigrant, has been referred to as the "Father of American Ornithology", and his treatise, "American Ornithology," first published between 1808-1814, predated J.J. Audubon by about two decades. In it he depicted 262 species of birds, including 39 previously unknown varieties. The nine volumes contained his descriptions of each bird and seventy-six hand colored engravings. Because he was working on a limited budget, he squeezed several species into each plate, juxtaposing them in different poses and filling the working area right up to the edges of the plate. Although Wilson drew the birds himself, the actual engravings were produced by John Warnicke and Alexander Lawson. Wilson traveled extensively in search of his birds and died as a result of an exhausting excursion in 1813, prior to the completion of the final volume. His friend, George Ord, posthumously published the eighth volume in 1814 and also edited the final ninth volume, to which he added a biography of Wilson's life.   « Less

Alexander Wilson (Scottish/American, 1766-1813), Plate 74, from his "American Ornithology", published by Bradford & Innskeep, Philadelphia. 1808-1814. 1st  More »

Alexander Wilson (Scottish/American, 1766-1813), Plate 74, from his "American Ornithology", published by Bradford & Innskeep, Philadelphia. 1808-1814. 1st edition. Engraved by John G. Warnicke. This hand colored, engraving depicts five species: black bellied darter, female darter, great northern diver, black headed gull, and little auk. Plate size: 10.25" x 13.25". Alexander Wilson, a Scottish emigrant, has been referred to as the "Father of American Ornithology", and his treatise, "American Ornithology," first published between 1808-1814, predated J.J. Audubon by about two decades. In it he depicted 262 species of birds, including 39 previously unknown varieties. The nine volumes contained his descriptions of each bird and seventy-six hand colored engravings. Because he was working on a limited budget, he squeezed several species into each plate, juxtaposing them in different poses and filling the working area right up to the edges of the plate. Although Wilson drew the birds himself, the actual engravings were produced by John Warnicke and Alexander Lawson. Wilson traveled extensively in search of his birds and died as a result of an exhausting excursion in 1813, prior to the completion of the final volume. His friend, George Ord, posthumously published the eighth volume in 1814 and also edited the final ninth volume, to which he added a biography of Wilson's life.   « Less