Designed for worship on a journey, or within the home on an altarpiece, this handsome icon represents important stages in the mystical life of Jesus; each set against dark  More »

Designed for worship on a journey, or within the home on an altarpiece, this handsome icon represents important stages in the mystical life of Jesus; each set against dark blue enamel. On the upper portion of the right panel is the Crucifixion, showing Jerusalem in the background fashioned as a medieval Russian city, while God the Father oversees the death of His only begotten Son. Below, following clockwise is the Annunciation; birth of the infant Jesus; life of the Holy Family, and baby Jesus brought to the temple. On the top area of the left panel is the elevation of Christ at the moment of His joining God in Holy Union. This mystical scene is enclosed in a wreath, surrounded by angels, birds and two lions. Below depicts the baptism of the baby Jesus; His second baptism by St. John; His entrance into Jerusalem; and Christ in His glory. On the cover is seen the vacant cross, around which is written, " King of Glory, Jesus Son of God, Christ." Jerusalem is shown in fine perspective in the background encased within an oval frame surrounded by elaborate foliage. With such intricately worked and expressive detail, it is no wonder the most pious found inspiration in this lovely icon. - (PF.5188)Enameled Brass Traveling Icon - PF.5188Origin: Russia Circa: 1750 AD to 1900 ADDimensions: 7" (17.8cm) high x 8" (20.3cm) wide Collection: Russian Icons Style: Russian Orthodox Medium: Enameled Brass   « Less

During an age of slow travel pious Christians found it important to carry with them objects for private worship. Each of the panels is set against blue and white enamel,  More »

During an age of slow travel pious Christians found it important to carry with them objects for private worship. Each of the panels is set against blue and white enamel, which adds further perspective. On the top section of the right panel we see the elevation of Christ to heaven, presented to God the Father with a dove in the center and above representing the Holy Spirit. Below, clockwise, is the mystical Annunciation; birth of Jesus; His entrance into Jerusalem; and Christ's glory in heaven. The upper portion of the right panel shows the installation of the cross set against a background of structures and ornamentation in the style of medieval Russia. Below shows Christ greeting His disciples after the resurrection; His transfiguration; death of the Virgin Mary, followed by her enthronement in heaven. The graphic scenes of the 'worldly' life of Jesus are here beautifully blended with the supernatural in a manner that suggests the mystical is as 'real' as the physical reality. And it is this premise which lies as the heart of the faithful. - (PF.5189)Enameled Brass Traveling Icon - PF.5189Origin:Russia Circa: 1750 AD to 1900 ADDimensions: 6.75" (17.1cm) high x 8.25" (21.0cm) wide Collection: Russian Icons Style: Russian Orthodox Medium: Enameled Brass   « Less

Within this fine icon are important scenes of the physical and metaphysical life of Christ and the Virgin Mary. The far right panel shows at the top the crucifixion, overseen  More »

Within this fine icon are important scenes of the physical and metaphysical life of Christ and the Virgin Mary. The far right panel shows at the top the crucifixion, overseen by angels and God the Father. Below, clockwise, is the Annunciation; birth of Jesus; presentation of Jesus in the temple; and scenes from the life of the Holy family. The next panel depicts Christ joining His Father in heaven on the upper section, with Jesus in the temple; His baptism by St. John; entrance into Jerusalem and His glorification in heaven. Installation of the Holy Cross is the theme of the following panel on the upper portion; below which shows Christ greeting His disciples after the resurrection; Christ's glorification surrounded by angels; death of the Virgin Mary; and the descent of the Holy Ghost to the enthroned Virgin Mary. Mary is the central theme on the last panel representing her enthronement in heaven; below which shows an icon of the Virgin holding the infant Jesus with Saints Alexander and Cyril; King Vasiley presents himself in the next panel; followed by Saints Antony and Alexey; and then Saints Antony and Theodosius, Abbot of the Monastery of the Caves of Kiev. Through masterful artistry we are presented with an icon that is both beautiful to look at and spiritually rewarding. - (PF.5190)   « Less

The central upper panel of this icon shows the representation of Christ's mystical elevation before God the Father, surrounded by angels, doves (Holy Spirit) and two lions.  More »

The central upper panel of this icon shows the representation of Christ's mystical elevation before God the Father, surrounded by angels, doves (Holy Spirit) and two lions. The panels below show in clockwise order, the baptism of the baby Jesus; His baptism by St. John; Jesus’ entrance into Jerusalem; and His glorification in Heaven. On the top section of the right panel we see the installation of the cross, with the surrounding architecture and ornamentation in the style of medieval Russia. Below, is depicted the Resurrection, Christ's glorification in heaven, death of the Virgin Mary, and her enthronement in heaven. The Crucifixion occupies the central theme of the left panel. Below is the mystical annunciation, birth of Jesus, His entrance into the temple, and scenes from the life of the Holy Family. This fine icon combines rigorous artistic skill with a natural piety in a workthatisbothintimate and vast in its proclamation of the Christian faith.-(PF.5191)Brass Triptych Traveling Icon - PF.5191Origin: Russia Circa: 1750 AD to 1900 ADDimensions: 7" (17.8cm) high x 12.25" (31.1cm) wide Collection: Russian Icons Style: Russian Orthodox Medium: Brass   « Less

Against a rich dark blue background highlighted with white are scenes depicting the life of Christ in this world and the next. The upper portion of the right panel shows the  More »

Against a rich dark blue background highlighted with white are scenes depicting the life of Christ in this world and the next. The upper portion of the right panel shows the mystical meeting of Jesus Christ with God the Father, separated by a globe and watched over by the Holy Spirit in the form of a dove. Below, in clockwise order, is the baptism of the infant Jesus, His later baptism by St. John watched by angels and God, His entrance into Jerusalem, and glorification in heaven. The crucifixion occupies the central upper image on the left panel. Below, is the annunciation with the Archangel Gabriel and the Virgin Mary, Jesus's birth, His presentation in the temple, and scenes from the life of the Holy Family. With such fine artistry it is no wonder pious travelers regarded such icons as this an indispensable partoftheirjourney.-(PF.5192)Enameled Brass Traveling Icon - PF.5192Origin: Russia Circa: 1750 AD to 1900 ADDimensions: 7" (17.8cm) high Collection:Russian Icons Style:Russian Orthodox Medium: Enameled Brass   « Less

Traveling icons are often, as with this fine example, so elaborately detailed they provide a visual narrative of Jesus’ life on a small and a very personal scale. The  More »

Traveling icons are often, as with this fine example, so elaborately detailed they provide a visual narrative of Jesus’ life on a small and a very personal scale. The upper portion of the central panel shows the installation of the cross, with the background structures and ornamentation done in the style of medieval Russia. Below, running clockwise is the resurrection of Christ, His elevation and glory in heaven, enthronement of the Virgin Mary, and her death. The front cover has the cross with the walls and buildings in the distance set in an oval, bordered by two columns and ornate foliage. The inscription above and below the upper portion of the cross reads, "King of Glory, Jesus Son of God, Christ. The right panel follows this theme on the upper section of the right panel with the glorification of the Virgin surrounded by saints and angels. Below we see an icon of the Virgin Mary worshiped by six figures including Saints Alexander and Cyril. Next to it is the same arrangement except for the substitution of Prince Vasiley, followed by a panel with Saints Antony and Alexey, and then Saints Antony and Theodosius. Each of the miniature icons shows the Virgin holding the infant Jesus in a different posture, while the faithful offer their homage and gifts in a variety of ways. Upon the upper area of the left panel is the mystical depiction of Christ's elevation to heaven in the presence of God the Father, Who is offering His blessings. Four scenes from Jesus' life are depicted below; baptism as a baby, His baptism by St. John, entrance in Jerusalem, and Christ's glorification. Contained within this charming triptych, set against dramatic blue and white enamel, are images of Jesus’ miraculous life on earth, and His transcendence in the afterlife of heaven-- a perfect companion for a pious traveler's journey on the mystical road of faith. - (PF.5193)   « Less

Set against lovely pale blue enamel decorated with delicate foliage, the two low-relief images of Christ and St. John the Baptist present a striking picture. On the left  More »

Set against lovely pale blue enamel decorated with delicate foliage, the two low-relief images of Christ and St. John the Baptist present a striking picture. On the left panel Christ holds an open book upon which is written, " Come to me all those in need, for you shall be saved." His clothing is beautifully modeled with considerable detail, as is the very fine beard and hair. On the right panel is the winged St. John the Baptist (or 'Forerunner'), who lovingly cradles the infant Jesus as he baptizes Him. His wearing angel-like wings proclaims him as a divine messenger. This image also symbolizes the future baptism of Jesus by St. John, which marked a pivotal point in Christ's spiritual life. The inscription in Cyrillic states, "St. John the Baptist"; who is nonetheless, instantly identified not only by the act of baptism, but also by the rough garment of a desert ascetic. Within this very fine icon we see two worlds, the world of flesh and the realm of the spirit; of the past being present here and now, while eternity too is present as an ever living possibilityforthefaithful.-(PF.5194)Enameled Brass Diptych Traveling Icon PF.5194Origin: Russia Circa: 1750 AD to 1900 ADDimensions: 6.75" (17.1cm) high x 10.25" (26.0cm) wide Collection: Russian Icons Style:Russian Orthodox Medium:Enameled Brass   « Less

In this beautiful icon Christ and St. John the Baptist, done in the "Lubok" style, are set against a rich dark blue and white background. On the left panel Christ holds an  More »

In this beautiful icon Christ and St. John the Baptist, done in the "Lubok" style, are set against a rich dark blue and white background. On the left panel Christ holds an open book upon which is written, "Lord, full of grace, Lord Jesus, my Son and God, hear the prayers of your Mother." The inscription on either side of Him reads, "Jesus Christ, Holy Theocrator". His clothing is beautifully modeled with considerable detail, as is His very finely coiffed beard and hair. On the right panel St. John the Baptist offers his blessings, his head tilted humbly to the side, wearing a fine robe over his penitential hair shirt. Within this very fine icon we see two worlds, the world of flesh and the realm of the spirit; of the past being present here and now while eternity too is present as an ever real possibility for the faithful. - (PF.5195)Enameled Brass Diptych Traveling Icon - PF.5195Origin: Russia Circa: 1750 AD to 1900 ADDimensions: 7" (17.8cm) high x 11.75(29.8cm)wide Collection:Russian Icons Style:Russian Orthodox Medium:Enameled Brass   « Less

On this very handsome icon Christ and the Virgin Mary are set against a delicate pale blue enameled background. The Virgin holds a scroll upon which is inscribed, "Oh, Lord  More »

On this very handsome icon Christ and the Virgin Mary are set against a delicate pale blue enameled background. The Virgin holds a scroll upon which is inscribed, "Oh, Lord of the Universe, Save the Son of God, I pray upon my knees". Her head is slightly downcast as she humbly looks upon the radiance of her glorified Son. Her garments are richly ornamented, whereas those of Christ are somewhat more modest. Both styles were typical of late Byzantine art, and adopted by Russian artists. Christ holds an open book upon which is written, "Come to me all those in need. You will be saved." He stares intently as if from beyond the veil of heaven, upon the world and its inhabitants for whom He offers His blessings. On the front cover is the cross, with Jerusalem in the style of a medieval Russian city seen in the background. This icon has an immediate impact, communicating a message to the faithful of their coming salvation, vividly represented by a master artist. - (PF.5196) Enameled Brass Diptych Traveling Icon PF.5196Origin:Russia Circa:1750ADto1900ADDimensions:10.5(26.7cm) high x 6.5" (16.5cm) wide Collection: Russian Icons Style: Russian Orthodox Medium: Enameled Brass   « Less

Designed for private devotion this very fine plaque depicts the Archangel Gabriel, framed in the center, at the moment of announcing to the Virgin Mary that she has conceived  More »

Designed for private devotion this very fine plaque depicts the Archangel Gabriel, framed in the center, at the moment of announcing to the Virgin Mary that she has conceived the Son of God. He is dressed in the style of a Russian nobleman of the 16th Century, with hands crossed over the chest and a geometrically ornate halo. The lovely background of green, yellow, white and blue enamel adds dimension and perspective. Surrounding the angel are fifteen saints each set in a roundel and connected by leafy branches, as if a tree of saintly life. In the center at top is Christ offering His blessings, with His Mother to His right and St. John the Baptist at left. Within the frame of this plaque is represented the hierarchy of the Church, of holy figures both human and spirit,andthebeautiful Archangelpresenting his miraculous message not only to the Mother of God, but also to all humanity. - (PF.5197)The Archangel Gabrielofthe Annunciation PF.5197Origin:Russia Circa:1750ADto1900ADDimensions:6(15.2cm)high5.25(13.3cm)wide Collection: Russian Icons Style: Russian Orthodox Medium: Enameled Brass   « Less