The Shan people are a distinct ethnic group that today constitute Myanmar’s largest minority group. However, from the 13th until the 16th Century, they dominated most  More »

The Shan people are a distinct ethnic group that today constitute Myanmar’s largest minority group. However, from the 13th until the 16th Century, they dominated most of the country. They are largely Buddhist, and their language and customs are closely related to the Thai and Laotians, their neighbors to the south and east. In the 19th Century, long after their power had eroded, they were distributed among thirty petty states that paid tribute first to the Burman King, then to the British. This arrangement remained more or less in tact until 1922 when the Federated Shan States were joined together. In 1947, a unified Shan States was created under the Burmese Constitution. Although much of their autonomy has been relinquished to the central government, the Shan retain their unique cultural identity and ethnic heritage.The historical figure, Buddha Gautama Sakyamuni is the Buddha of compassion who, having achieved the highest evolutionary perfection, turns suffering into happiness for all living beings. Born around 560 B.C. somewhere between the hills of south Nepal and the Rapti river, his father was a Raja who ruled over the northeastern province of India, the district including the holy Ganges River. The young prince was married to Yashoda when he was about 17 years old and together they had a son named Rahula. At the age of 29, he left his life of luxury, as he felt compelled to purify his body and make it an instrument of the mind by ridding himself of earthly impulses and temptations. - (TF.031)   « Less

The Mandalay Period represents the last great cultural flourishing of Burmese art. The period was named after the city of Mandalay, which served as capital of Myanmar for a  More »

The Mandalay Period represents the last great cultural flourishing of Burmese art. The period was named after the city of Mandalay, which served as capital of Myanmar for a brief period (1860-1885 A.D.) during the reign of King Mindon. After the Anglo-Burmese Wars, northern Myanmar was shut off from the coastal areas that were controlled by the British. King Mindon founded the new capital at a sacred site at the foot of a large hill. The center of the city was designed in the perfect geometrical form of a Buddhist Mandala, giving the city its name. Although this short-lived kingdom finally fell to the British forces in 1886 A.D. during the Third Anglo-Burmese War, the Royal Guilds that created such remarkable works of art for the King remained in the city where they continued to produce sculptures in the Mandalay style.The historical figure, Buddha Gautama Sakyamuni is the Buddha of compassion who, having achieved the highest evolutionary perfection, turns suffering into happiness for all living beings. Born around 560 B.C. somewhere between the hills of south Nepal and the Rapti river, his father was a Raja who ruled over the northeastern province of India, the district including the holy Ganges River. The young prince was married to Yashoda when he was about 17 years old and together they had a son named Rahula. At the age of 29, he left his life of luxury, as he felt compelled to purify his body and make it an instrument of the mind by ridding himself of earthly impulses and temptations.This gorgeous marble Buddha is seated in the dhyanasana position on a low oval base. With his hands, the Buddha forms the bhumisparsa mudra, which can be literally translated as the “gesture of touching the earth” in which the Buddha touches the ground in order to call on the earth to witness his enlightenment. His flowing monastic robes wrap around his body and fall in elegant waves over his legs and onto the base. An ushnisha crowns his head. This bump is symbolic of the Buddha’s enlightened wisdom and cosmic openness. - (BF.047)   « Less

The Mandalay Period represents the last great cultural flourishing of Burmese art. The period was named after the city of Mandalay, which served as capital of Myanmar for a  More »

The Mandalay Period represents the last great cultural flourishing of Burmese art. The period was named after the city of Mandalay, which served as capital of Myanmar for a brief period (1860-1885 A.D.) during the reign of King Mindon. After the Anglo-Burmese Wars, northern Myanmar was shut off from the coastal areas that were controlled by the British. King Mindon founded the new capital at a sacred site at the foot of a large hill. The center of the city was designed in the perfect geometrical form of a Buddhist Mandala, giving the city its name. Although this short-lived kingdom finally fell to the British forces in 1886 A.D. during the Third Anglo-Burmese War, the Royal Guilds that created such remarkable works of art for the King remained in the city where they continued to produce sculptures in the Mandalay style.The historical figure, Buddha Gautama Sakyamuni is the Buddha of compassion who, having achieved the highest evolutionary perfection, turns suffering into happiness for all living beings. Born around 560 B.C. somewhere between the hills of south Nepal and the Rapti river, his father was a Raja who ruled over the northeastern province of India, the district including the holy Ganges River. The young prince was married to Yashoda when he was about 17 years old and together they had a son named Rahula. At the age of 29, he left his life of luxury, as he felt compelled to purify his body and make it an instrument of the mind by ridding himself of earthly impulses and temptations.This gorgeous marble Buddha is seated in the dhyanasana position on a low oval base. With his hands, the Buddha forms the bhumisparsa mudra, which can be literally translated as the “gesture of touching the earth” in which the Buddha touches the ground in order to call on the earth to witness his enlightenment. His flowing monastic robes wrap around his body and fall in elegant waves over his legs and onto the base. An ushnisha crowns his head. This bump is symbolic of the Buddha’s enlightened wisdom and cosmic openness. - (LF.002)   « Less

The Mandalay Period represents the last great cultural flourishing of Burmese art. The period was named after the city of Mandalay, which served as capital of Myanmar for a  More »

The Mandalay Period represents the last great cultural flourishing of Burmese art. The period was named after the city of Mandalay, which served as capital of Myanmar for a brief period (1860-1885 A.D.) during the reign of King Mindon. After the Anglo-Burmese Wars, northern Myanmar was shut off from the coastal areas that were controlled by the British. King Mindon founded the new capital at a sacred site at the foot of a large hill. The center of the city was designed in the perfect geometrical form of a Buddhist Mandala, giving the city its name. Although this short-lived kingdom finally fell to the British forces in 1886 A.D. during the Third Anglo-Burmese War, the Royal Guilds that created such remarkable works of art for the King remained in the city where they continued to produce sculptures in the Mandalay style.The historical figure, Buddha Gautama Sakyamuni is the Buddha of compassion who, having achieved the highest evolutionary perfection, turns suffering into happiness for all living beings. Born around 560 B.C. somewhere between the hills of south Nepal and the Rapti river, his father was a Raja who ruled over the northeastern province of India, the district including the holy Ganges River. The young prince was married to Yashoda when he was about 17 years old and together they had a son named Rahula. At the age of 29, he left his life of luxury, as he felt compelled to purify his body and make it an instrument of the mind by ridding himself of earthly impulses and temptations.This gorgeous marble Buddha is seated in the dhyanasana position on a low oval base. With his hands, the Buddha forms the bhumisparsa mudra, which can be literally translated as the “gesture of touching the earth” in which the Buddha touches the ground in order to call on the earth to witness his enlightenment. His flowing monastic robes wrap around his body and fall in elegant waves over his legs and onto the base. An ushnisha crowns his head. This bump is symbolic of the Buddha’s enlightened wisdom and cosmic openness. - (AM.0371 )   « Less

Origin: Myanmar (Burma) Circa: 18 th Century AD to 19 AD Dimensions: 62" (157.5cm) high x 21" (53.3cm) wide Collection: Asian Art

Origin: Myanmar (Burma) Circa: 18 th Century AD to 19 AD Dimensions: 62" (157.5cm) high x 21" (53.3cm) wide Collection: Asian Art   « Less

Origin: Myanmar (Burma) Circa: 18 AD to 19 AD Dimensions: 67" (170.2cm) high x 23" (58.4cm) wide Collection: Asian Art Style: Shan Period Medium: Gilt Wood

Origin: Myanmar (Burma) Circa: 18 AD to 19 AD Dimensions: 67" (170.2cm) high x 23" (58.4cm) wide Collection: Asian Art Style: Shan Period Medium: Gilt Wood   « Less

The Shan people are a distinct ethnic group that today constitute Myanmar’s largest minority group. However, from the 13th until the 16th Century, they dominated most  More »

The Shan people are a distinct ethnic group that today constitute Myanmar’s largest minority group. However, from the 13th until the 16th Century, they dominated most of the country. They are largely Buddhist, and their language and customs are closely related to the Thai and Laotians, their neighbors to the south and east. In the 19th Century, long after their power had eroded, they were distributed among thirty petty states that paid tribute first to the Burmese King, then to the British. This arrangement remained more or less in tact until 1922 when the Federated Shan States were joined together. In 1947, a unified Shan States was created under the Burmese Constitution. Although much of their autonomy has been relinquished to the central government, the Shan retain their unique cultural identity and ethnic heritage. The historical figure, Buddha Gautama Sakyamuni is the Buddha of compassion who, having achieved the highest evolutionary perfection, turns suffering into happiness for all living beings. Born around 560 B.C. somewhere between the hills of south Nepal and the Rapti river, his father was a Raja who ruled over the northeastern province of India, the district including the holy Ganges River. The young prince was married to Yashoda when he was about 17 years old and together they had a son named Rahula. At the age of 29, he left his life of luxury, as he felt compelled to purify his body and make it an instrument of the mind by ridding himself of earthly impulses and temptations. The decoration adorned upon this gilt wooden Buddha reveals its sacred nature. His downward looking eyes depict his serene state of being, further reinforced by his sweet smile. He also features a large pointed ushnisa, or bump, at the top of his head that symbolizes his divine enlightenment. The shape of this bump has been modeled after a typical Burmese stupa, the standard of religious architecture for Burmese Buddhists. The majority of the gilding that once covered this work remains intact. The general appearance associated with the Buddha characterizes him partly as a noble human being and ideal ruler and partly as superhuman. The elegance and spirituality of the Buddha is well conceived in this work. - (RP.044)   « Less

Origin: Nepal Circa: 1600 AD to 1700 AD Dimensions: 6.1" (15.5cm) high x 4.8" (12.2cm) wide collection: Asian Art Style: Newari Medium: Terracotta

Origin: Nepal Circa: 1600 AD to 1700 AD Dimensions: 6.1" (15.5cm) high x 4.8" (12.2cm) wide collection: Asian Art Style: Newari Medium: Terracotta   « Less

Origin: Nepal Circa: 1600 AD to 1700 AD Dimensions: 2.1" (5.3cm) high x 1.1" (2.8cm) wide Collection: Asian Art Style: Newari Medium: Terracotta

Origin: Nepal Circa: 1600 AD to 1700 AD Dimensions: 2.1" (5.3cm) high x 1.1" (2.8cm) wide Collection: Asian Art Style: Newari Medium: Terracotta   « Less

Origin: Nepal Circa: 17 th Century AD to 19 th Century AD Dimensions: 6.0" (15.2cm) high x 4.6" (11.7cm) wide Collection: Asian Art Medium: Wood

Origin: Nepal Circa: 17 th Century AD to 19 th Century AD Dimensions: 6.0" (15.2cm) high x 4.6" (11.7cm) wide Collection: Asian Art Medium: Wood   « Less