Signed and dated: '1913, E. Antipov (?)' - (PF.5982) Painting of the Entombment - PF.5982Origin: Russia Circa: 1913 ADDimensions: 21.5" (54.6cm) high x 15.5" (39.4cm) wide  More »

Signed and dated: '1913, E. Antipov (?)' - (PF.5982) Painting of the Entombment - PF.5982Origin: Russia Circa: 1913 ADDimensions: 21.5" (54.6cm) high x 15.5" (39.4cm) wide Collection: Russian Icons Style: Russian Orthodox Medium: Oil on Canvas Condition: Very Fine   « Less

Large, fine pair of oak framed Victorian prints. One print is of a Classical nude women with a young boy and a baby. She is holding a wreath of roses which the baby is  More »

Large, fine pair of oak framed Victorian prints. One print is of a Classical nude women with a young boy and a baby. She is holding a wreath of roses which the baby is reaching for and handing some roses to the boy who has them piled in the front of his robe. There is also a wicker basket overflowing with flowers. The second scene has a Middle-Eastern feel with a man seated at a table and a standing women and an Egyptian style cat. There is also a line draped with a piece of cloth. Both prints are sepia toned and set in round white mats. The prints are both in good condition with very minor "foxing" on the mat of the nude and and a fair amount of "foxing" on the Middle Eastern scene all confined to the mats which are easily replaced. Original elaborate oak and gesso frames in very good condition that we have lightly re-polished. Original glass and wood backs. We did not take them apart and there is some dirt on the insides of the glass . The white streaks are reflections in the glass. Unsigned. 32 "high x 29" wide. Price 650.00 each 1200 the pair.   « Less

Large Victorian painted portrait of a standing woman. This painting features a strikingly handsome young woman leaning on a walnut fern stand amid lush flowers and greenery.  More »

Large Victorian painted portrait of a standing woman. This painting features a strikingly handsome young woman leaning on a walnut fern stand amid lush flowers and greenery. She is dressed in an elegant pinched-waist dress and feathered hat. The neck-line of her dress is very nicely detailed pleats and brooch leading to a fine row of buttons. Her hands have long graceful fingers and a ring. Very dramatic size, rich colors and a skilled hand all add up to a grand visual impact. Unsigned, oil on canvas in a well suited, vintage reproduction frame. The condition is good over-all, with some in-painting on the field to the left of her face and some small touched up dents in the field to the right of her body. There is also a crease in the upper right hand corner and a scratch in the lower right among the flowers. The frame is in good condition. . 44" high x 31 1/2" wide over all, canvas is 34 1/2" high x 23 1/2".   « Less

18th c. Grand Tour style portrait oil painting on canvas of a young shepherd in rustique dress, signed "L. Calzolarti" verso, custom mounted in a Renaissance style Florentine  More »

18th c. Grand Tour style portrait oil painting on canvas of a young shepherd in rustique dress, signed "L. Calzolarti" verso, custom mounted in a Renaissance style Florentine gilt frame. Painting has been professionally cleaned and restored to museum standards. Italy, c. 1760. Dimensions: 10 1/2" H x 6 1/2" W   « Less

Large, charming, oil on canvas portrait of a smiling young women and small dog. Set in a lush green country lane, she seems to be walking right out of the picture in her  More »

Large, charming, oil on canvas portrait of a smiling young women and small dog. Set in a lush green country lane, she seems to be walking right out of the picture in her vivid blue skirt. Unsigned, but very nicely executed. Extra nice earlier (1880) gilded gesso and wood frame in good condition some old restorations and touch ups. Painting in very good original condition. 26" wide x 35" high overall, painting is 16" x 23 " without frame.   « Less

English oil on canvas, Victorian portrait of a sad women. Wonderful, soft colors add to the mood of this skillfully painted portrait of a seated women clothed in shades of  More »

English oil on canvas, Victorian portrait of a sad women. Wonderful, soft colors add to the mood of this skillfully painted portrait of a seated women clothed in shades of pink. Unsigned, very nicely framed in a fine period gilded gesso frame. Both the painting and frame are in very fine original condition. 29"x high x 24 3/4" wide overall, painting is 19 3/4" x 15 3/4" without frame.   « Less

Large, beautifully painted, oil on canvas double portrait of two lovely young women. Very skillfully executed, one women is blonde the other brunette, standing in an  More »

Large, beautifully painted, oil on canvas double portrait of two lovely young women. Very skillfully executed, one women is blonde the other brunette, standing in an affectionate pose (friends, sisters, lovers?) Very detailed clothing and accessories in vibrant colors. Fully signed and dated, probably by the well listed Polish artist, Kazim Bienkowski (1863- 1918). He is also known as Kazimierz Bienkowski. The date is is clearly 1890. Original gilded gesso and wood frame in good condition. Painting has all over light cracking with more extensive cracking in the lower right corner but no paint loss. 30" wide x 39 3/4" high overall, painting is 19 1/2" x 29 1/2" without frame.   « Less

Large, 19th century oil on canvas portrait of a woman. Very well executed, typical of the professional, unsigned, itinerant portraiture that was popular among the affluent  More »

Large, 19th century oil on canvas portrait of a woman. Very well executed, typical of the professional, unsigned, itinerant portraiture that was popular among the affluent of the early 19th century. This is portrait of a simple yet handsome woman in her prime, dressed in a somber black dress and very frilly French style bonnet and ruff. She is seated in front of lush red drapes and is adorned with only one small piece of jewelry and a bare hint of a smile. This handsome lady would make a perfect "instant ancestor" in any home. Fine, fancy original period gilt gesso frame with some loss to the gesso (can be restored). One minor spot of paint loss, (pictured upper right top), overall fine condition. 32 1/2" wide x 37 1/2" high overall, painting is 25 " x 30" sight without frame.   « Less

Enamelled Painting Depicting a Feast - PF.5294Origin: Russia Circa: 18 th Century AD to 19 th Century ADDimensions: 6.5" (16.5cm) high x 9.5" (24.1cm) wide Collection:  More »

Enamelled Painting Depicting a Feast - PF.5294Origin: Russia Circa: 18 th Century AD to 19 th Century ADDimensions: 6.5" (16.5cm) high x 9.5" (24.1cm) wide Collection: Decorative Style: Russian Medium: Enamel on Wood   « Less

Marguerite Gérard was born in Grasse in 1761. Her sister Marie-Anne was also a painter known for her miniatures. While Marguerite was no doubt influenced by her  More »

Marguerite Gérard was born in Grasse in 1761. Her sister Marie-Anne was also a painter known for her miniatures. While Marguerite was no doubt influenced by her sister’s work, it was her brother-in-law who would have a more profound impart on her artistic style. Jean- Honoré Fragonard was one of the most popular painters of his day. In 1777, at the age of sixteen, Marguerite moved in with her sister and famed brother-in-law. However, by this time, Fragonard’s flamboyant rococo style had begun to fall out of fashion with the public. Marguerite studied under Fragonard, and she quickly became one of his best pupils. However, it seems that her preference for 17th Century Dutch Baroque interior masters such as Ter Borch and Metsu might have influenced Fragonard himself as he adapted his style to meet the changing tastes of collectors. It is clear that these two artists collaborated on numerous works and there is a remarkable similarity between the detailed fabrics in Fragonard’s later works and in Gerard’s works of the late 18th Century. In fact some scholars have even attributed one of Fragonard’s most beloved paintings, Le Baiser a la Derobee, to his prized pupil. By the end of the 18th Century, it appears that Gérard had abandoned open air scenes for good, choosing instead to concentrate upon domestic interiors where children and cats were prominently featured. Later, in 1837, she passed away in Paris. Gérard was one of the most successful female artists of her day whose work, while harkening back to the Baroque era, impacted the art of those around her. L'amour S'en Va by Marguerite Gerard - X.0192Origin: France Circa: 1780 AD to 1800 ADDimensions: 18.5" (47.0cm) high x 15" (38.1cm) depth Collection: Decorative Style: Late Rococo/Early Neo-Classical Medium: Oil on Canvas   « Less