This is a very large, commercial size coin-op penny cup dispenser. May have been used in bus or train stations, etc.; it's not your standard office cup dispenser. Original  More »

This is a very large, commercial size coin-op penny cup dispenser. May have been used in bus or train stations, etc.; it's not your standard office cup dispenser. Original finish is good; paint is very presentable, but not perfect. Shows minor wear for its age, but very little rust and no damage except a small piece missing from 1 small plastic window. Could use a good cleaning. Complete with coin box, 2 new locks with keys, and original wall mounting bracket. Mechanism appears to work fine.   « Less

A fine quality Coalport plate with moulded and gilt edge, a pink border and with finely painted flowers and a birds nest to the centre. Unmarked Width 9 3/4 Circa1820

A fine quality Coalport plate with moulded and gilt edge, a pink border and with finely painted flowers and a birds nest to the centre. Unmarked Width 9 3/4 Circa1820   « Less

Height: 36 in. (50.80 cm) Width: 24 in. (48.26 cm) Depth: 16.5 in. (41.91 cm) Country of Origin: France Style: Art Deco Artist: Erté Condition: Mint Year: 1982 THE  More »

Height: 36 in. (50.80 cm) Width: 24 in. (48.26 cm) Depth: 16.5 in. (41.91 cm) Country of Origin: France Style: Art Deco Artist: Erté Condition: Mint Year: 1982 THE FOUR EMOTIONS SUITE by Erté. Love, Indifference, Sadness and Jealously. Nicely framed and on gold foil each 36"H x 24"W signed Erté. The complete set of four is $12,000.   « Less

131 pages; 100 plus photos and two full page color plates Condition: Good; Circa: circa 1960; Heigth: 15 in. (38.10 cm); Width: 12 in. (30.48 cm)

131 pages; 100 plus photos and two full page color plates Condition: Good; Circa: circa 1960; Heigth: 15 in. (38.10 cm); Width: 12 in. (30.48 cm)   « Less

Origin: Egypt Circa: 2040 BC to 1640 BC Dimensions: 2.15" (5.5cm) high x 4.6" (11.7cm) wide Collection: Egyptian Style: Middle Kingdom Medium: Faience

Origin: Egypt Circa: 2040 BC to 1640 BC Dimensions: 2.15" (5.5cm) high x 4.6" (11.7cm) wide Collection: Egyptian Style: Middle Kingdom Medium: Faience   « Less

Antoine Etex (1808-1888), A 19th century French group 'Cain and his race cursed by God', on circular base, signed Etex, 18.5ins

Antoine Etex (1808-1888), A 19th century French group 'Cain and his race cursed by God', on circular base, signed Etex, 18.5ins   « Less

Height: 30 in. (76.20 cm) Width: 50 in. (127.00 cm) Depth: 29 in. (73.66 cm) Country of Origin:USA Style:Victorian Condition:Restored Year:c. 1880 Description:Beautiful  More »

Height: 30 in. (76.20 cm) Width: 50 in. (127.00 cm) Depth: 29 in. (73.66 cm) Country of Origin:USA Style:Victorian Condition:Restored Year:c. 1880 Description:Beautiful antique American Victorian inlaid table with "Aesop's Fable" top c. 1880. The inlay work ranks with the best!   « Less

This painting comes to us from one of the most talented Art professor turned painter recently. since she decided to combine teaching with practicing her Art Soussy had an  More »

This painting comes to us from one of the most talented Art professor turned painter recently. since she decided to combine teaching with practicing her Art Soussy had an immediate success and Sultaneantiques is proud to be her representatives for North America. Fabulous!!! Soussy was born in 1956 and after studying at the Italian school she lived in Paris and she studied Art at the famed Ecole Du Louvre   « Less

VINTAGE ART GLASS SILVESTRI ANGEL PAPERWEIGHT FIGURINE

VINTAGE ART GLASS SILVESTRI ANGEL PAPERWEIGHT FIGURINE   « Less

Obverse: ANTONINVS AVG PIVS PP TR P XXIII; Laureate Bust of the Emperor Facing Right. Reverse: SALVS AVG COS IIII; Salus Standing to the Left, Holding a Sceptre, Feeding  More »

Obverse: ANTONINVS AVG PIVS PP TR P XXIII; Laureate Bust of the Emperor Facing Right. Reverse: SALVS AVG COS IIII; Salus Standing to the Left, Holding a Sceptre, Feeding from a Patera a Snake Coiled Around an Altar. Antoninus Pius is regarded as one of the "Five Good Emperors" in Roman history. He was born in 86 AD. Around 133-136, he served in Asia as proconsul, and there he earned the respect of Emperor Hadrian. After Hadrian's return from the Jewish war, Antoninus was made a member of his council not only on grounds of friendships and family connection, but also because of his experience as a jurist and administrator. After the sudden death of Lucius Aelius Caesar, Antoninus was officially adopted by Hadrian on February 25, 138 as successor to the throne. After administering the imperial offices, Hadrian died and Antoninus became emperor. Antoninus married Faustina and they had four children: two sons and two daughters. However, only one daughter was alive at the time of his adoption by Hadrian. Later, he adopted Marcus Aurelius, who was to be the successor to his throne. In 139, he gave to Marcus the name of Caesar and made him consul designate. In 146, Aurelius was recognized as Antoninus's colleague in rule, and the hopes of Rome and the fortunes of the dynasty rested upon him. Antoninus managed to govern the empire capably and yet with such a gentle hand that he earned the respect, acclaim, and love of his subjects. How many hands have touched a coin in your pocket or purse? What eras and lands have the coin traversed on its journey into our possession? As we reach into our pockets to pull out some change, we rarely hesitate to think of who might have touched the coin before us, or where the coin will venture to after it leaves our hands. More than money, coins are a symbol of the state that struck them, of a specific time and location, whether contemporary currencies or artifacts of a long forgotten empire. This stunning hand-struck coin reveals an expertise of craftsmanship and intricate sculptural detail that is often lacking in contemporary machine-made currencies. This coin is a memorial to an ancient emperor passed from the hands of civilization to civilization, from generation to generation that appears as vibrant today as the day it was struck. - (C.8874)   « Less