Antique 19th century African Horn Trumpet with shiny honey brown patina, cracks through age, and slight traces of abrasion. MEASUREMENTS: The overall length: 43 cm  More »

Antique 19th century African Horn Trumpet with shiny honey brown patina, cracks through age, and slight traces of abrasion. MEASUREMENTS: The overall length: 43 cm (17 in). ALL ITEMS ARE GUARANTEED TO BE AUTHENTIC ANTIQUES AND NOT REPRODUCTIONS ALL OUR ARTIFACTS ARE ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY WE SHIP INTERNATIONALLY   « Less

Antique, 19th century, Persian, Qajar Dynasty, Islamic tinned copper Pitcher Jug of baluster-form, with a round pedestal base and scrolled serpentine handle riveted at  More »

Antique, 19th century, Persian, Qajar Dynasty, Islamic tinned copper Pitcher Jug of baluster-form, with a round pedestal base and scrolled serpentine handle riveted at the top. The surface is profusely hand chased, in low relief, with medallions and scrolling floral tendrils in traditional Persian Ghalamzani design. CONDITION: Showing the age and usage, the tin plating slightly worn, nice age patina. MEASUREMENTS: Height: 26.8 cm (10 1/2 in) Width: handle to spout: 22 cm (8 3/4 in). ALL ITEMS ARE GUARANTEED TO BE AUTHENTIC ANTIQUES AND NOT REPRODUCTIONS ALL OUR ARTIFACTS ARE ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY WE SHIP INTERNATIONALLY   « Less

a Antique18th Century Mughal Northern Indian Islamic cast brass lidded Ewer (aftaba) of pear-shaped body stands on four short feet decorated with slightly raised  More »

a Antique18th Century Mughal Northern Indian Islamic cast brass lidded Ewer (aftaba) of pear-shaped body stands on four short feet decorated with slightly raised almond-shaped medallions engraved with poppies and incised all over with floral and leaf motifs, the serpentine handle with a stylised lotus finial, joining the neck and hinged to the domed lid, straight rising tapering spout with a cast rib CONDITION: in excellent condition, showing the age and usage. There are no repairs, splits or dents MEASUREMENTS: Height: 25.4 cm (10 in) Width: handle to spout: 24.5 cm (9 5/8 in). REFERENCES: A ewer of similar form is shown in Zebrowski, M., Gold, Silver & Bronze from Mughal India, Alexandria Press, 1997, p. 165. ALL ITEMS ARE GUARANTEED TO BE AUTHENTIC ANTIQUES AND NOT REPRODUCTIONS ALL OUR ARTIFACTS ARE ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY WE SHIP INTERNATIONALLY   « Less

Antique, 10th - 15th century A.D. Islamic silver bracelet of hollow circular form made from repousse and incised silver, terminating in two confronting lion heads, with  More »

Antique, 10th - 15th century A.D. Islamic silver bracelet of hollow circular form made from repousse and incised silver, terminating in two confronting lion heads, with recessed eyes and ears and detailed facial features. The interior of the hoop decorated with two rows of strapwork, the exterior with raised ribs interspersed with scrolls. CONDITION: Showing the age, usage and wear, miner cracks on the exterior, slightly dented. MEASUREMENTS: Across max. 9cm (3 1/2 in). Most high. 8cm (3 1/8 in). WEIGHT: 50 g (1.7637 oz). ALL ITEMS ARE GUARANTEED TO BE AUTHENTIC ANTIQUES AND NOT REPRODUCTIONS ALL OUR ARTIFACTS ARE ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY WE SHIP INTERNATIONALLY   « Less

Rare Antique, 18th – 19th century, central Asian Turkmen, or Uzbek Islamic teapot, carved out of a piece of Chlorite stone, carved all over the exterior with  More »

Rare Antique, 18th – 19th century, central Asian Turkmen, or Uzbek Islamic teapot, carved out of a piece of Chlorite stone, carved all over the exterior with decorations consisting of elaborate medallions with checkered pattern, richly set with approximately 800 turquoise stones of different size, and with 62 red gems. CONDITION: In good condition, considering its age, showing its age and usage with no cracks, restorations, or repairs. Absence of lid, some stones are missing, otherwise in good condition. MEASUREMENTS: Width: handle to spout: 22.5 cm (8 7/8 in) Height: 10.5 cm (4 1/8 in). ALL ITEMS ARE GUARANTEED TO BE AUTHENTIC ANTIQUES AND NOT REPRODUCTIONS ALL OUR ARTIFACTS ARE ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY WE SHIP INTERNATIONALLY   « Less

Authentic antique, 18th - 19th century, Tibetan belt pouch (coin purse) composed of silver, brass, iron and leather. The front richly decorated with a finely worked floral  More »

Authentic antique, 18th - 19th century, Tibetan belt pouch (coin purse) composed of silver, brass, iron and leather. The front richly decorated with a finely worked floral border in silver, and studded with corals and turquoise, the brass fittings cast in relief and chased. MEASUREMENTS: Overall length of the front silver frame: 14.6 cm (5 3/4 in). CONDITION: In good condition considering its age, Leather is still flexible, showing the age and usage. ALL ITEMS ARE GUARANTEED TO BE AUTHENTIC ANTIQUES AND NOT REPRODUCTIONS ALL OUR ARTIFACTS ARE ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY WE SHIP INTERNATIONALLY   « Less

Large Antique, ca.18th century, Greek orthodox triptych, Post-Byzantine; Venetian-held territory, most likely Corfu in the Ionian Islands., depicting the most central event  More »

Large Antique, ca.18th century, Greek orthodox triptych, Post-Byzantine; Venetian-held territory, most likely Corfu in the Ionian Islands., depicting the most central event in Christianity Nativity of our Lord Christ. The carved arched central panel, painted in bright colors, and gold on gesso and wood depicting Baby Jesus laying in the cradle in a manger wrapped in swaddling clothes with a Bethlehem star shining from above, flanked by Virgin Mary and St Joseph. The left upper part painted with three kings on horseback traveling in search of Jesus. The left side shows the shepherds, and a red-winged angel looking down from above announcing the birth of Christ. The left wing showing Saint George slaying the dragon. The right wing showing St. Demetrius of Thessaloniki, on horseback, wearing elaborate armour of Byzantine type, holding a spear in hand and slaying the king of the infidels who lies on the ground below. CONDITION: The icon is in the original condition, with wear and nice old, very dark patina, some flakes, and old cracks in the wood. Free of repaint, repairs or restorations. MEASUREMENTS: Open: 47 cm x 33.5 cm. (18.5 inches x 13.19 inches). Closed: 30.5 cm x 24.8 cm (12.01 inches x 9.76 inches). The Nativity has adopted Italian iconographic features which make it clear that the painter of the triptych was following a tradition which had been formulated in a Venetian-held territory of Greece, such as Crete, or the Ionian Islands (Corfu, Zante, etc.). ALL ITEMS ARE GUARANTEED TO BE AUTHENTIC ANTIQUES AND NOT REPRODUCTIONS ALL OUR ARTIFACTS ARE ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY WE SHIP INTERNATIONALLY   « Less

These ancient works of art are just so amazing . Some ancient African Deities and sacred Carvings still have their magical powers and some are link to the ancient Egyptian  More »

These ancient works of art are just so amazing . Some ancient African Deities and sacred Carvings still have their magical powers and some are link to the ancient Egyptian queen Nefertiti . Available are some popular sculptures and masks like Ngady Amwaah, Kubalulua, Baule ,Songye, Pende, Grebo, Eshu, Ashanti, Chokwe and many others .please contact with specifications of the kind of antique you want thanks   « Less

ON SALE! WAS $650. Awesome, mid century, large Dogon mask, carved from one piece of wood with male and female ancestor figures supporting a divination bow atop head. Well  More »

ON SALE! WAS $650. Awesome, mid century, large Dogon mask, carved from one piece of wood with male and female ancestor figures supporting a divination bow atop head. Well weathered with traces of red ochre-like color in the eye sockets. Original braided netting mostly intact, but brittle. Minor cracks and losses as seen in the photos. Very impressive mask. Approximately 19 1/2" overall. No repairs or restorations. DOGON The Dogon are a cliff-dwelling people who live in Southeastern Mali and. Among the people groups in Africa they are unique in that they have kept and continued to develop their own culture even in the midst of Islamic invasions which have conquered and adapted many of the current people groups Until the 1930's the Dogon were very insolated from the outside world and resisted any foreign influence. Through oral tradition it is said that they originated from the west bank of the Niger River, around 1490 A.D. they were fleeing from the Mossi people and entered the Bandiagara cliffs region. There they have lived ever since. Because of their refuge in the cliffs they were able to resist the Muslims, the French, and others who have attempted to conquer them. The Dogon are divided into family groups which are responsible for different spheres of Dogon life. The Awa society is responsible for much of the spiritual functions of Dogon culture concerning death and mourning periods, they are communicate with the ancestor spirits. The Lebe are the group responsible for the agricultural spirits. They build many different alters out of clay and dirt. In their artwork they are well-known for their masks which are used in various ceremonies and rituals. The masks are known as "inima," they are thought to contain the life force which is known as "nyama." There are over 65 different kinds of masks used for ceremonies. Their woodwork is amazing and is known for the different, "primitive" look which has disappeared from much African pieces. The Dogon use mainly red, black, and white colors as well as many varieties of browns developed from the reddish sand like dirt which surrounds the country. Dogon artwork is all intricately hand carved and much of it has much cultural influence. Price is firm. Thanks for looking! Please check out our other items!   « Less

ON SALE! WAS $1,200. A very large, impressive village protector mask that displays very well on a stand or on the wall. Carved from one piece of wood and measures about 27"  More »

ON SALE! WAS $1,200. A very large, impressive village protector mask that displays very well on a stand or on the wall. Carved from one piece of wood and measures about 27" overall. Cracks and wear as per photos. One large old stable crack/splinter runs along the bottom of jaw. Overall great patina. This mask has great provenance and great presence. Mid 20th century and one of the last generation of masks that were actually used. The braided copper wire shown in the photos is to mount the mask on a wall. Provenance: From the Collection of Ambassador Patricia and Mr. Richard Hawkins. Ambassador Hawkins is currently the U.S. Ambassador to Togo. She has previously served the State Department in Zaire, now Democratic Republic of the Congo; Burkina Faso; and Cote D'Ivoire. Richard Hawkins is also a career Foreign Service Diplomat. Both of them have connoisseur's eyes. The Hawkins' have collected African art for many years, and we are delighted to offer a portion of their magnificent collection. This mask was purchased from the company "Africa Direct" (a Colorado based African art dealer, who purchased Ambassador Hawkin's collection in its entirety. The original Africa Direct site listing with photos of the mask, detailed description, invoice number and price accompanies the mask. It was listed 6 years ago and wrongly described as a Senufo firespitter mask. This mask is known as "bonu amwin". It represents a buffalo, symbol of force contained. Surmounted by a large pair of horns, a broad rectangular mouth shows the teeth. The teeth symbolize the force of the animal which must defend it It was used for protecting the villages from the bad fates and from insufficient harvests when the village men left for war. Country North-Baoule. This mask displays a Senufo influence.. Price is firm. Thanks for looking! Please check out our other items!   « Less