The Virgin Mary, replete with halo and gorgeous attire, holds an open book or scroll, which she gestures towards. The inscription reads, "Lord, full of grace, Lord Jesus, my  More »

The Virgin Mary, replete with halo and gorgeous attire, holds an open book or scroll, which she gestures towards. The inscription reads, "Lord, full of grace, Lord Jesus, my Son and my God, hear the prayers of your mother." Bands of varying colors behind her create a unique and very effective backdrop to the intricate foliage, which makes it seem the Virgin is emerging from a garden. On the reverse is the empty cross, with Jerusalem as a medieval Russian city in the background. The spear which pierced Christ's side, and the sponge of vinegar, are on either side. The varying levels of relief present different perspectives and serves to make the mother of Christ stand out vividly. Her attention is directed to the words on the scroll, as if she is meditating on the significance of themessage; which countless have done carrying their icons on long journeys of the body and soul. - (PF.5233)Section of an Enameled Brass Traveling Icon - PF.5233Origin: Russia Circa: 1750 AD to 1900 ADDimensions: 6" (15.2cm) high x5.25(13.3cm)wide Collection:Russian Icons Style:Russian Orthodox Medium:Enameled Bras   « Less

Such icons as this fine example had a dual purpose, both practical and religious. Taken on long journeys for private worship when places of public worship were scarce, the  More »

Such icons as this fine example had a dual purpose, both practical and religious. Taken on long journeys for private worship when places of public worship were scarce, the icon was also designed for "Feast days and the Exaltation of the Mother of God." The most divine of mystical events is seen at the top where God the Father gives His blessings to Christ following His Resurrection. Below,(clockwise from left to right), is the presentation of Jesus to the temple; His baptism; entrance into Jerusalem and Christ's transfiguration. We see here the skillful blending of 'real' events with the supernatural; which to the faithful, are as real as the ground we walk upon. - (PF.5234)Section of a Brass Traveling Icon - PF.5234Origin: Russia Circa:1750 AD to 1900 ADDimensions: 7" (17.8cm) high x 4.25" (10.8cm) wide Collection:Russian Icons Style: Russian Orthodox Medium: Brass   « Less

This fascinating panel is one of three others comprising a four-part icon designed for "Feast Days and the Exaltation of the Mother of God." This theme occupies the upper  More »

This fascinating panel is one of three others comprising a four-part icon designed for "Feast Days and the Exaltation of the Mother of God." This theme occupies the upper portion, showing the Virgin Mary at the center, surrounded by adoring saints and watched over by God the Father. The scene on the upper left depicts the 'Mother of God of Tikhvin' with Alexander Svirsky, Cyril Belozersky and four bishops. Next is the 'Mother of God of Vladimir' with the 'Holy Fools' Maxime and Basil and four saintly Metropolitans of Moscow--Peter, Jonah, Alexei and Philip. The panel below depicts the 'Mother of God of the sign of Novgorod' with Antony Rimlyanin, Archbishop Leonty and other saints. The last panel shows the 'Mother of God of Smolensk' with Anthony and Theodosius of the Monastery of the Caves of Kiev. In each section the figures are grouped in such a way as to allow for an area of landscape below the portrait of the Madonna. The lovely pale blue background is identified with the Virgin Mary, and also serves to make the figures seem more vivid and dramatic. - (PF.5235)Section of an Enameled Brass Traveling Icon - PF.5235Origin: Russia Circa: 1750 AD to 1900 ADDimensions: 6.25" (15.9cm) high x 4" (10.2cm) wide Collection: Russian Icons Style: Russian Orthodox Medium: Enameled Brass   « Less

This icon, part of a larger work, was made for the "Feast Days and the Exaltation of the Mother of God." The upper panel depicts the Crucifixion, with Mary Magdalen and an  More »

This icon, part of a larger work, was made for the "Feast Days and the Exaltation of the Mother of God." The upper panel depicts the Crucifixion, with Mary Magdalen and an attendant at left, and the Virgin Mary with a Roman soldier at right. God the Father watches from above, with the skull of Adam seen at the base of the cross within the folds of the Golgotha hills. Below, beginning upper left running clockwise is the Annunciation, the Nativity, Jesus' presentation at the temple, and scenes from life of the Holy Family. Each of the panels is so richly detailed they comprise a vivid and graphic depiction, complete with very ornate and detailed architectural backgrounds. Touches of paint add a nice contrast to the relief figures, which are so expressive they seem to be in motion. - (PF.5236)Section of a Brass Traveling Icon - PF.5236 Origin: Russia Circa: 1750 AD to 1900 ADDimensions: 6.5" (16.5cm) high x 4"(10.2cm) wide Collection: Russian Icons Style: Russian Orthodox Medium: Brass   « Less

This intriguing icon represents the "Feast Days and the Exaltation of the Mother of God." The upper portion shows the Virgin Mary at the center surrounded by adoring saints  More »

This intriguing icon represents the "Feast Days and the Exaltation of the Mother of God." The upper portion shows the Virgin Mary at the center surrounded by adoring saints and watched over by God the Father. The scene on the upper left depicts the 'Mother of God of Tikhvin' with Alexander Svirsky, Cyril Belozersky and four bishops. Next is the 'Mother of God of Vladimir' with the 'Holy Fools' Maxime and Basil and four saintly Metropolitans of Moscow-- Peter, Jonah, Alexei and Philip. The panel below depicts the 'Mother of God of the sign of Novgorod' with Antony Rimlyanin, Archbishop Leonty and other saints. The last panel shows the 'Mother of God of Smolensk' with Anthony and Theodosius of the Monastery of the Caves in Kiev. In each section the figures are grouped in such a way as to allow for an area of landscape below the portrait of the Madonna. The beauty of this icon derives from the extremely detailed figuration and ornamentation, set against a lovely blue background, combining artistry with piety in a context that is eternal. - (PF.5237)Section of a Brass Traveling Icon - PF.5237Origin: Russia Circa: 1750 AD to 1900 ADDimensions: 6.75" (17.1cm) high x 4.25" (10.8cm) wide Collection: Russian Icons Style: Russian Orthodox Medium: Enameled Brass   « Less

Designed for the "Feast Days and the Exaltation of the Holy Cross", this fine icon celebrates the Exaltation of the Holy Cross on the top panel. Here we see gathered  More »

Designed for the "Feast Days and the Exaltation of the Holy Cross", this fine icon celebrates the Exaltation of the Holy Cross on the top panel. Here we see gathered venerable members of the Orthodox Church wearing elaborate vestments. In the upper left panel Christ is seen after His Resurrection greeting His bewildered disciples. His Ascension is next as He rises upwards on a cloud, while His adoring flock raises their arms in adoration. Below this scene is the Dormition ('falling asleep') of the Virgin Mary, at which time she was taken from her earthly life body and soul into Heaven, i.e. her 'Assumption'. The last represents the 'The Hospitality of Abraham' when God appeared to him in the form of three angels, (or the Holy Trinity), and he offered his guests food and drink. Very fine detail is evident in the trees, buildings, indoor architectural ornamentations and stylized clouds; all of which contribute to the drama of these most dramatic scenes. - (PF.5238) Section of a Brass Traveling Icon - PF.5238Origin: Russia Circa: 1750 AD to 1900 ADDimensions: 6" (15.2cm) high x 3.75" (9.5cm) wide Collection: Russian Icons Style: Russian Orthodox Medium: Brass   « Less

From this icon Jesus Christ looks upon us as if from heaven. Yet, He also sees us from the human level as well, deep into our hearts, offering His blessings with His right  More »

From this icon Jesus Christ looks upon us as if from heaven. Yet, He also sees us from the human level as well, deep into our hearts, offering His blessings with His right hand. In His left He holds an open book upon which is written, "and the golden hour will come, when the kingdom of kingdoms will rule." On either side of Christ is the inscription "Lord Theocrator". Set against a black background covered with delightful foliage, the figure stands out even more vividly. Touches of white add further dimension and serves to direct the eyes to the intense expression of Christ, whose eyes seem both open and shut, appropriate to a nature that was both human and divine. - (PF.5239)Section of an Enameled Brass Traveling Icon - PF.5239Origin: Russia Circa: 1750 AD to 1900 ADDimensions: 6.25" (15.9cm) high x 5.5" (14.0cm) wide Collection: Russian Icons Style: Russian Orthodox Medium: Enameled Brass   « Less

This panel was once part of a four-panel icon used for the "Feast Days and the Exaltation of the Mother of God." Exaltation of the Holy Cross is the theme on the upper  More »

This panel was once part of a four-panel icon used for the "Feast Days and the Exaltation of the Mother of God." Exaltation of the Holy Cross is the theme on the upper portion, with high-ranking members of the Orthodox Church, dressed in ornate vestments, adoring the instrument of Christ's death. The architectural background shows domes in the medieval Russian style. Christ's Resurrection is shown on the upper right panel, with His Ascension next, then the Dormition ('falling asleep') of the Virgin Mary, and finally the Holy Trinity. The supernatural aspect of Jesus' life is the subject of these five scenes; done in such a way, (following European tradition), as to make the supernatural seem real, and thus bringing even closer the divine nature of Jesus Christ. - (PF.5241)Section of a Brass Traveling Icon - PF.5241Origin: Russia Circa: 1750 AD to 1900 ADDimensions: 7" (17.8cm)highx4.25(10.8cm)wide Collection: Russian Icons Style: Russian Orthodox Medium: Brass   « Less

A pair of Continental angel figures with trumpets, hand-colored prints on gold paper with gold leaf highlights, in Period Gothic Revival hand-carved oak frames with original  More »

A pair of Continental angel figures with trumpets, hand-colored prints on gold paper with gold leaf highlights, in Period Gothic Revival hand-carved oak frames with original wood backing, the frames decorated in fleurs-di-lis, quatrefoils, etc. Probably French. c. 1880. Dimensions: 15 3/8" H x 6 1/2" W   « Less

The representation of Christ offering his blessings while holding the Holy Book is very popular in Orthodox Russian iconography. The text reads, "Come to Me, all you who are  More »

The representation of Christ offering his blessings while holding the Holy Book is very popular in Orthodox Russian iconography. The text reads, "Come to Me, all you who are weary and heavily burdened, and I will refresh you." This message is particularly important since Christ is here seen as both man and God, wearing splendid sacerdotal robes while surrounded by a halo, indicating His divine nature. The figure in low relief seems to be emerging from thick foliage, as from the garden of Gethsemane, with a very attractive sky blue in the background. Once part of a triptych; this panel, nonetheless, stands alone as an expression of Christ's compassion and love for humanity. - (PF.5243)Section of an Enameled Brass Traveling Icon - PF.5243 Origin: Russia Circa: 1750 AD to 1900 ADDimensions: 5.25" (13.3cm) highx5(12.7cm) wide Collection: Russian Icons Style: Russian Orthodox Medium: Enameled Brass   « Less