Fine 18th century Chinese Export Canton, or Nanking. These do not have the pickets, but they are fine and early with very good painting on eggshell porcelain. Dimensions 3  More »

Fine 18th century Chinese Export Canton, or Nanking. These do not have the pickets, but they are fine and early with very good painting on eggshell porcelain. Dimensions 3 1/2" Cups Condition: Very Good Condition: Excellent. A rare frit or two   « Less

This is a much copied original CHINESE porcelain repousse GINGER JAR. The polychromed famille rose enamels are well executed with fine detail to the eight immortals which  More »

This is a much copied original CHINESE porcelain repousse GINGER JAR. The polychromed famille rose enamels are well executed with fine detail to the eight immortals which appear on the octagonal jar and lid. This is a stellar piece. Marked as early Qing Dynasty, but dates to late 19th century. Dimensions: TBA Condition: Excellent, no chips or damage   « Less

Inscribed with magic texts, these bowls were used to ward off evil spirits and protect family and property. Unearthed at relatively high levels of excavation, they were  More »

Inscribed with magic texts, these bowls were used to ward off evil spirits and protect family and property. Unearthed at relatively high levels of excavation, they were neglected by the nineteenth century pioneers of Mesopotamian archaeology who were more interested in discovering palace foundations and large-scale sculpture. In more recent years however their importance has been recognised and they have been studied in-depth.The incantations were written in a variety of Aramaic dialects including Jewish Aramaic, Mandaic and Syriac. There are also examples written in Pseudo-script, presumably by less literate scribes. Although the texts are not dated they are generally assigned to the late Sassanian/ early Islamic period (6th-8th century A.D.). Their main function was to trap evil spirits and they were often placed upside down at the corners of rooms, or built into foundations or cemeteries. The texts sometimes instruct them to be placed ‘at the four corners (of the room)’ for extra protection. The names of the clients for whom the bowls were made can be divided into two main categories- Semitic and Persian. However this is not always a reliable guide to their ethnicity. Jewish influence on the Mandaic inscriptions was minimal but is pronounced in the Aramaic incantations. Many of the scribes may have been Jewish or trained by Jews, and the Hebrew Bible is frequently quoted. Terracotta Incantation Bowl - LO.763Origin: Mesopotamia Circa: 500 AD to 800 ADDimensions: 2.5 " (6.4cm) high x 6.9 " (17.5cm) wide Collection: Near Eastern medium: Terracotta   « Less

Inscribed with magic texts, these bowls were used to ward off evil spirits and protect family and property. Unearthed at relatively high levels of excavation, they were  More »

Inscribed with magic texts, these bowls were used to ward off evil spirits and protect family and property. Unearthed at relatively high levels of excavation, they were neglected by the nineteenth century pioneers of Mesopotamian archaeology who were more interested in discovering palace foundations and large-scale sculpture. In more recent years however their importance has been recognised and they have been studied in-depth.The incantations were written in a variety of Aramaic dialects including Jewish Aramaic, Mandaic and Syriac. There are also examples written in Pseudo-script, presumably by less literate scribes. Although the texts are not dated they are generally assigned to the late Sassanian/ early Islamic period (6th-8th century A.D.). Their main function was to trap evil spirits and they were often placed upside down at the corners of rooms, or built into foundations or cemeteries. The texts sometimes instruct them to be placed ‘at the four corners (of the room)’ for extra protection. The names of the clients for whom the bowls were made can be divided into two main categories- Semitic and Persian. However this is not always a reliable guide to their ethnicity. Jewish influence on the Mandaic inscriptions was minimal but is pronounced in the Aramaic incantations. Many of the scribes may have been Jewish or trained by Jews, and the Hebrew Bible is frequently quoted. Terracotta Incantation Bowl - LO.763Origin: Mesopotamia Circa: 500 AD to 800 ADDimensions: 2.5 " (6.4cm) high x 6.9 " (17.5cm) wide Collection: Near Eastern medium: Terracotta   « Less

French Breton figurine, a rare and early NIDERVILLER French faience, or soft paste sculpture from the 18th century. The peasant woman is beautifully painted in soft  More »

French Breton figurine, a rare and early NIDERVILLER French faience, or soft paste sculpture from the 18th century. The peasant woman is beautifully painted in soft polychrome colors, with marvelous detail to her face and costume. There is some damage, common in most faience, but this is an extremely old piece (over 200 years) in very good condition for the period. Madam is missing a hand and has chips...however she displays beautifully and is timeless in grace and style. Dimensions: Approx 8 Inches Condition: See above, and please view photos.   « Less

BELGIAN (Barbizon School)OIL PAINTING ON BOARD,EUGENE FIEVEZ Benezit listed painter, Matched pair of pastoral landscape paintings of cows at the river, best described as  More »

BELGIAN (Barbizon School)OIL PAINTING ON BOARD,EUGENE FIEVEZ Benezit listed painter, Matched pair of pastoral landscape paintings of cows at the river, best described as barbizon primitive. Paintings are signed, and dated right corner Eugene Fieyez Loyers, 1940. Framing is custom, fine gilt wood. Dimensions: 13 Inches x 16.75 Framed.   « Less

Presented is a brass Crucifix with wonderful Art Nouveau detail in a heavy and fine brass, or possibly bronze from France. . The Christ figure is portrayed with much detail  More »

Presented is a brass Crucifix with wonderful Art Nouveau detail in a heavy and fine brass, or possibly bronze from France. . The Christ figure is portrayed with much detail upon a 14"(35.50cm) cross with Immaculate hearts portrayed in q French manner. The crucifix stands upon a tripod paw footed base. I wish I could tell you more about this fine religious artwork...However, all I know is it is from Paris, and a delightful rare find. Dimensions: Height 14"(35.50cm) Width 8"(20cm) Condition: Fine brass or bronze, normal wear, no damage.   « Less

Famille Rose Vase (Qing dynasty) Chinese Export early 19th century. Early 19th century conversion to a pull chain lamp. A rare small of the period treasure. Dimensions:  More »

Famille Rose Vase (Qing dynasty) Chinese Export early 19th century. Early 19th century conversion to a pull chain lamp. A rare small of the period treasure. Dimensions: Height 6" (vase) Lamp ll"(lamp) width 3.25"   « Less

Glazed Incense Burner/ Rattle with Bird Finial - OF.249, Origin: Central Asia, Circa: 900 AD to 1200 AD, Dimensions: 5.0" (12.7cm) high x 3.0" (7.6cm) wide, Collection: Near  More »

Glazed Incense Burner/ Rattle with Bird Finial - OF.249, Origin: Central Asia, Circa: 900 AD to 1200 AD, Dimensions: 5.0" (12.7cm) high x 3.0" (7.6cm) wide, Collection: Near Eastern, Style: Islamic, Medium: Glazed Earthenware.   « Less

An unusual signed MEISSEN Blue Onion porcelain perfume flask (fragrance) with 18kt gold chain, and stunning hand chased gold mounted accents . 19th century or earlier. The  More »

An unusual signed MEISSEN Blue Onion porcelain perfume flask (fragrance) with 18kt gold chain, and stunning hand chased gold mounted accents . 19th century or earlier. The bottle has a beautifully molded stopper with a rose bud and leaf in repousse. Marvelous rare addition to your collection of fine MEISSEN, snuff bottles, perfumes,or Blue and White. Dimensions: Height 3 1/4" Width 1 3/4" Condition: Excellent: No chips,frits or damage. The lid is glued down to secure at this time, removable.   « Less